Atrium Project: Celeste Rapone
Jun 27, 2026 - Apr 11, 2027
About the Exhibition
The MCA’s Atrium Project invites artists from all points in their careers to respond to the museum’s bright, two-story entrance through a new large-scale work. In the latest iteration of the series, painter Celeste Rapone presents Sideline (After Ben Shahn) (2025).
Rapone is an artist whose work centers intimacy, nostalgia, and the anxieties of daily life in the contemporary world, particularly as experienced by women. Several visual hallmarks of her work, such as the flattening of space and figure and the use of muted color palettes, allow her to accentuate the psychological complexity of her figures and hint at their connections to art historical approaches to representing the female body. Sideline (After Ben Shahn) cites another painting, Men on a Bench (1940) by the social realist painter Ben Shahn (b. 1898, Kaunas, Lithuania; d. 1969, New York, NY), an artist who depicted scenes of American life from the Great Depression on. Rapone’s revisiting of the painting features a languid, seated group of four women, their oversized limbs entwined and indistinguishable, their faces gazing out in plaintive resignation. The viewer joins these four women, anticipating something which never reveals itself.
Atrium Project: Celeste Rapone is organized by Jamillah James, Manilow Senior Curator, with Korina Hernandez, Curatorial Assistant.
About the Artist
Celeste Rapone (b. 1985, Glen Ridge, NJ; lives and works in Chicago, IL) received her BFA from the Rhode Island School of Design in 2007 and her MFA from The School of the Art Institute of Chicago in 2013. Her work has been exhibited at Josh Lilley Gallery (London), Marianne Boesky Gallery (NYC), Institute of Contemporary Art Boston, Zidoun-Bossuyt Gallery (Luxembourg), Roberts Projects (LA), Steven Zevitas Gallery (Boston), Julius Caesar (Chicago), The Hyde Park Art Center (Chicago), the Georgia Museum of Art (Athens), and Monya Rowe Gallery (NYC). Her work has been featured in New American Paintings, Newcity, The Chicago Tribune, The Georgia Review, and she is a 2018 recipient of a Pollock-Krasner Foundation Grant.
